This body of work is composed of four different installations that build sanctuary around the metaphorical plays between the words tide and tied. Each piece considers how we reflect our human experience in nature and how the landscape perhaps return

This body of work is composed of four different installations that build sanctuary around the metaphorical plays between the words tide and tied. Each piece considers how we reflect our human experience in nature and how the landscape perhaps returns the gaze. The material’s investigation of casting and molding speaks to an interest in both absence and longing. Each installation is marked with a small plaque which reads, “see page…” linking the work to corresponding pages in a zine compiled of photography and poetry.

bookdetail3.jpg
bookinstallation.jpg
bookdetail4.jpg
Parting_Emma_Barnes 1.jpg
bookdetail6.jpg
ropetile6.jpg
ropeinstallation.jpg
facevase2.jpg
ropetile2.jpg
ropetile11.jpg
seepage.jpg
smallropepieces.jpg
Howarewetied_Emma_Barnes.jpg
4palm copy.jpg
9Tide table, Times tables, Periodic table_Emma_Barnes.jpg
Emma_Barnes_Submerge_plaster_8.5x11_2021.jpg
tidedetail.jpg
Emma_Barnes_Filling, Feeling,Heeling to Healing too_plaster_8.5x11_2021.jpg
13collagebitmap.jpg
 This body of work is composed of four different installations that build sanctuary around the metaphorical plays between the words tide and tied. Each piece considers how we reflect our human experience in nature and how the landscape perhaps return
bookdetail3.jpg
bookinstallation.jpg
bookdetail4.jpg
Parting_Emma_Barnes 1.jpg
bookdetail6.jpg
ropetile6.jpg
ropeinstallation.jpg
facevase2.jpg
ropetile2.jpg
ropetile11.jpg
seepage.jpg
smallropepieces.jpg
Howarewetied_Emma_Barnes.jpg
4palm copy.jpg
9Tide table, Times tables, Periodic table_Emma_Barnes.jpg
Emma_Barnes_Submerge_plaster_8.5x11_2021.jpg
tidedetail.jpg
Emma_Barnes_Filling, Feeling,Heeling to Healing too_plaster_8.5x11_2021.jpg
13collagebitmap.jpg

This body of work is composed of four different installations that build sanctuary around the metaphorical plays between the words tide and tied. Each piece considers how we reflect our human experience in nature and how the landscape perhaps returns the gaze. The material’s investigation of casting and molding speaks to an interest in both absence and longing. Each installation is marked with a small plaque which reads, “see page…” linking the work to corresponding pages in a zine compiled of photography and poetry.

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